Monday, January 31, 2011

arbitragem aos molhos #8

esta "crónica" foi feita em Madrid (onde completei o curso nível 3 da IRB/FIRA-AER!!)


#1
Mourinha no JWRT

Vem a propósito da visita do mister João Mourinha a Portugal para arbitrar a final do campeonato:





#2
Memorando para a mellée

Pilares esquerdos não podem subir
Pilares direitos não descem

(dica dada pelo Murray Anderson - ex-treinador de avançados da selecção portuguesa)



#3
Formação Ordenada está na ordem do dia

Costumamos dizer que os bons árbitros distinguem-se no breakdown, no entanto a arbitragem da mellée tem-se revelado crucial no desenrolar do jogo e na avaliação do árbitro.

Na mellée o árbitro é avaliado mais processo do que pelo resultado, a razão é simples: tem de seguir directrizes muito rígidas por questões de segurança. Isto não invalida que cada vez mais tenhamos de ser claros e coerentes na arbitragem da mellée.

WHY ARE THERE SO MANY COLLAPSES AND RESETS?

Kingsley Jones (former Wales flanker, current head coach at Sale): The scrum is now won and lost on the engagement. Coaches are coaching front-rows to win the race across the gap on the call to 'engage' and introduce the ball immediately. We've got big players who, if they lose the 'hit', look to the safety of the ground. We're not coaching that, but props want to look after themselves.

When someone loses the race, they go down and the scrum is reset. The next scrum, they don't want to lose the race, so they go early, which results in a free-kick because they jumped the call. Or if I'm an attacking scrum-half, my team hit and lose the engagement, I might say, "I can't put it in ref", because if I put the ball in and my team are going backwards, my coach will tell me what's what after the game.

Graham Rowntree (former England and Lions prop, current England scrum coach): I know why the 'pause' stage was brought in, it settles everything. Before you had 'crouch-touch-engage', sometimes very quickly, and you had teams rolling into each other and there were too many forces and too much weight involved and you were getting injuries.

But there are timing issues. The whole sequence - 'crouch-touch-pause-engage' - can be delivered by different referees at different speeds, especially if both front rows have not followed through the sequence in time.

And while that's happening you've got some front rows who are bent and over-balanced and you can physically see them shaking because they're holding up all that weight. And when they meet each other and somebody is off-balance, or the ground conditions aren't very good, that scrum will go down.



#4
ver e decidir




law discussion:
http://www.sareferees.co.za/laws/laws_explained/clips/2685161.htm


#5
ver e decidir





#6
ver e decidir

Monday, January 17, 2011

Thursday, January 13, 2011

ser proactivo...


Make it better from Sebastianbap on Vimeo.

ser proactivo ou ser proativo?
que raio de acordo ortográfico
agora até a RTP escreve que está em DIRETO...

Wednesday, January 12, 2011

arbitragem aos molhos #7

#1
K.O.

porque fica sempre bem rir com a desgraça dos outros...:


#2
"Será que eles ouviram mesmo o árbitro?"

Tenho trazido muito a este espaço este assunto: gestão do jogo, management. Este aspecto do jogo está na ordem do dia, "ter mão no jogo" é necessário, cada um tem o seu estilo e a sua abordagem o mais importante é transmitir aos jogadores aquilo que queremos para o jogo e confiança nas decisões, crucial é saber ler o jogo e seu ambiente.

Realmente ganha-se confiança com os anos, com os quilómetros arbitrados, calma q.b. é importante.


#3
ver e decidir

vejam o vídeo só uma vez e decidam, depois confirmem vendo o vídeo de novo:


#4
Mito Urbano: "Mas eu sou o Capitão..."

Referees' hear this a lot.  "But I'm the Captain.............."


So does the Captain have the "right" to speak to the referee?  No he doesn't.  However referee's recognise that it makes for a better game if the referee works "with" the captain, for the good of the game.

Before tossing the coin at the start of the game, The Referee will have a little chat with both captains.



"Captains.  Discipline is down to you; you manage your players, I will manage the game".

"Captains.  Players play, referee's ref.  Make sure you don't get the two mixed up.  Any questions through you please".

"Captains.  I don't want to hear players appealing for perceived offences.  If I hear it, you hear it, so shut them up from the off.  If you can't do that I will have to and my options are very limited".


#5
quem tem sempre razão?!

heheee

mais Rio 2016


rio 2016 olympics logo


rio 2016 olympics logo designed by tátil


the logo for the 2016 olympics in rio de janiero, brazil was revealed on new year's eve 2011.
created by fred gelli's rio-based tátil agency who beat out almost 140 other competitors
and was selected from eight finalists, the winning design immediately received criticism for its
uncanny resemblance to the logo of the not-for-profit telluride foundation in colorado,
USA which is an image depicting figures with arms embraced.

gelli has acknowledged some similarities of the design to that of the foundation's,
but feels that broad concept of people embracing is not a novel idea stating,
'the brand is radically different because it is tridimensional.'
he has also disregarded any claims that the winning logo is similar to that of the painting
'the dance' by henri matisse.


sketches


the logo is meant to translate the spirit of collectivity and the olympic spirit.
the colors selected refer to the brazilian environment:
'yellow symbolizes the sun and our warm, vivacious and happy nature.
blue expresses the fluidity of the water that surrounds us, and our easygoing way of life.
green represents our forests and hope, a positive vision that inspires us to go even further
,'
says tátil.

the jury who selected the winning logo, consisted of a team of 15 national and international members
of the organizing committee for rio 2016 olympic games.



form explorations



the telluride foundation's logo which the winning rio 2016 olympics logo is said to resemble


'the dance' by henri matisse
image courtesy of the MoMA


tudo isto em:
http://www.creativereview.co.uk/cr-blog/2011/january/rio-2016-logo-longer-look

e mais em:
http://www.creativereview.co.uk/cr-blog/2011/january/rio-2016-logo-longer-look

Saturday, January 8, 2011

Rio 2016

As movimentações olímpicas andam ai... o lançamento do logo foi feito na noite de passagem de ano.






processo de criação embelezado...



Wednesday, January 5, 2011

ideias soltas no meio do estudo

#1

Para que cem se entreguem à cultura física é necessário que cinquenta pratiquem desporto. Para que cinquenta pratiquem desporto, é necessário que vinte se especializem. Para que vinte se especializem, é necessário que cinco sejam capazes de proezas espantosas.
(Coubertin, Pierre - 1931)

#2
Diremos então que existem sete idiomas universais: o dinheiro, a política, a arte, o sexo, a droga, a corrupção e o desporto. O desporto reúne todos eles.
(Miller, David - 1992)

#3
se uma visão sem acção é um devaneio uma acção sem visão é um pesadelo
provérbio japonês

#4 (embrulhada no meio do estudo...!)
ideias para projecto a fervilhar